And definitely I think having a B-3 there as well. We had Hunter and Dom and everyone could feel the vibe there was different. “Also, I knew what Rue was going through. I was like, ‘Even if your voice cracks, and you fall to pieces and you go out of tune, just sing it like you mean it.’ That’s all I focused on.” Labrinth said. Maybe it’s the dust in the air? We did a lot of times, but I just zoned in. “I don’t know what it is about this side of the world. Fortunately, amid the emotion of the day, the Southern California environment and the presence of key cast members added to the impact of the moment. Hopping between full-voiced belting and his distinct falsetto, it’s also one of the more challenging songs to sing that he’s written for the show so far. It’s a song that’s as full and rich as it is plaintive, one that Labrinth performed live on the day of filming. There at the front stands Labrinth himself, singing the words of “I’m Tired,” a song he co-wrote with Zendaya and Levinson. While caught in a memory of her late father, Rue walks through church doors, passing by an entire congregation. The church idea reverberates loudest in maybe the season’s most memorable moment. I wanted to use those as our tension-builder in this in this season, and I think Sam enjoyed that.” But with this one, we’ve got the organs which is very much a Catholic sound. “‘All for Us’ kind of has both with the choral sound and the Pentecostal Black church sound mixed together. And because I love both Pentecostal and Catholic sounds, I kind of was like trying to merge them both together,” Labrinth said. We wanted a lot of the sounds edging towards a religious sound. “We spoke about using organs because of a lot of the religious influences in the show, especially with Rue. Through conversations with series writer-director Sam Levinson, Labrinth arrived at a sound both grander and more grounded.Įmerald Fennell Had Never Seen ‘Euphoria’ Before Casting Jacob Elordi in ‘Saltburn’ Although there are faint echoes of character themes sprinkled in throughout Season 2 - Rue ( Zendaya), Nate (Jacob Elordi), and Maddy (Alexa Demie) all get refracted versions of the music that helped introduce key sides of their personality - the particular synth textures that made up so much of the original melodic DNA gave way to something else. The first season of “Euphoria” established a musical foundation for the show, but one that Labrinth was hesitant to rely on. Most of the records, I finished them that way,” Labrinth said, speaking from a booth in Los Angeles where he’s finalizing the Season 2 album. It was like, ‘Bam, send it to mix.’ And it was done. “Literally, the songs ‘Forever’ and ‘Still Don’t Know My Name,’ I finished them a few days before the score came out. The HBO show’s composer Labrinth, working on a Season 1 soundtrack that’s only gotten more popular the longer it’s been released, put the finishing touches on the score with precious little time to spare. Music on “ Euphoria” can come down to the wire.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |